You can adjust clips to 50 percent of their speed, fast-forward them 20X, or create instant replay or rewind effects. The Adjust bar does lack one big effect: speed control, which you largely perform using the clip’s built-in speed scrubber or via the modify menu. At the right of the icon list is an undo button if you create a result you dislike, you can click it to reverse the effect.Ĭontrol the speed of your clips with the speed bar or the pop-up speed menu. They’re broken up into color balance, color correction, cropping, stabilization, volume, noise reduction and equalizer, video and audio effects, and clip information categories. The Adjust bar has a treasure trove of video effects hiding within some are features from past versions of the program, some are all-new. You can drag clips on top of each other to create cutaways, green screen effects, or picture in picture. You still can’t create more than two tracks of video, but I largely prefer it to iMovie ’11’s weird Advanced Tools workaround. This allows you to drag clips on top of others to create a straight cutaway to the clip, picture-in-picture, side-by-side, audio-only track, or green-screen matte.
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That option is still here, but it’s hidden in the View menu under Wrapping Timeline-the horizontal timeline is now the default.Īnd that horizontal timeline seems to have gained many of the improvements found in Final Cut Pro X, including support for proper multilayer editing. One of my biggest complaints about the reinvention of iMovie way back in 2008 was the change to the traditional editing timeline-it folded over itself vertically, rather than displaying horizontally. It displays all currently rendering background tasks, along with a time estimate of when they will be completed.
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When you’re importing or rendering a clip, a new background tasks icon (in the shape of a clock) pops up in the upper-right-hand corner of the menu bar. In my tests, the camera import screen launched and imported video twice as fast as ’11. IMovie is downright speedy in comparison to its predecessor, and nowhere is that more evident than in clip import. Most other features formerly found in settings have been moved to more appropriate locations. Those are “Apply slow-motion automatically” (which automatically turns your iPhone 5s 120-fps clips into slow motion), and “Automatically upload content to iCloud” (any iMovie Theater film you export). Not preference tabs, or preference screens-two preference options, period. (I’m sure some people out there love the “Always show clip badges” preference option, but as a former editor, I found most of these settings ridiculous and redundant.)Īpple seemingly agrees with me: The new iMovie has just two preference options.
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iMovie ’11’s preferences were a little terrifying for new users: the nebulous “Show Advanced Tools” option, lots of viewing options for the media browser, font choices, a video import dropdown-in short, a lot of unnecessary controls shoved into the preferences screen because the program really had nowhere else to put them. This minimalism carries over to preferences, too.
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There are zoom sliders here and there, and a search bar, but the dozens of unlabeled buttons and confusing sections have gone the way of the dodo. The new version of iMovie simplifies the interface without taking away major features.īut that’s it. In another iPhoto/Final Cut-esque move, all possible clip and audio adjustments have now been hidden inside Adjust, while those who care little for green-screen options and color correction can ignore that icon altogether-they can still brighten up their video with one click from the Enhance button, or slow down their video from the new slow-motion scrubber in the timeline. IMovie’s myriad buttons and shiny aluminum textures are all gone, replaced with a few distinct sections: a sidebar for accessing your photos, videos, projects, and content library buttons for importing video, creating new projects, and sharing clips/projects a tab switch between iMovie’s Library screen and iMovie Theater and two editing buttons, Enhance and Adjust. But once you open up a project, it becomes clear that those editing chops are still there. Its initial treatment reminds me far more of iPhoto’s management options than of a piece of video editing software. The first thing you see upon launching the program is a collection of your event clips and a big viewing screen-you don’t even have to make a project if all you want to do is find and share a particular clip. But unlike previous versions of iMovie, those tools aren’t out in the open-they’re instead secreted away behind simplistic-looking buttons that won’t scare off casual filmmakers or beginners.